So Lilith's babies have turned jet black inside their 'incubation cell.' Not surprising given Lilith's long association the darker side of life. The birthing process is planned for the Summer Solstice.
John found this shovel on the beach and knew I would want it for something! It has inspired me to make a giant size 'Lilith Baby'. I wrapped the shovel in organic voile plain with cochineal, other beach small metal finds, bone and lobster creel netting. I then soaked it in a mordant of tumble drier water and echinichea and raspberry tea in the wheelbarrow. Will leave it for a few days and then reveal the result. I also discovered this rather beautiful stream on our local beach that is stained by naturally occurring iron deposits in the bedrock according to our local countryside rangers. I have buried a couple of Lilith's babies in the burn for a few days to see what results that may yield.
I finally got around to opening my eco bundle jars that were wrapped on 16th September. The most colourful results were with the natural yarns I had added. These variegated odds and ends will be great for my next weaving project. From left to right these were dyed with cochineal, eucalyptus, lichen and madder. The protein based materials certainly came out best, and although I am loathe to use silk for ethical reasons, it does take on the colours better than cotton. For this batch, I used eucalyptus leaves with scrap metal on silk noile. This is cotton voile with eucalyptus leaves and scrap metal. Disappointing result for the cochineal on cotton voile. It definitely fared better on the natural wool yarns. I have had better results on cotton when leaving it in the dye bath for only a day or two. After two months the colour has got lost here.
Much of the dyeing sampling that I have been doing over the past few months has been in preparation for ' Earthworks ', a collaborative work of the Mesh Collective, which we are showing at Patriothall Gallery in Edinburgh in April 2015. Following the Fertile Ground Conference Geological walk at Whitesands in Dunbar I am very inspired by some rock formations I photographed there. I am going to try to capture some of these hues, textures and patterns in my Pojagi piece for this exhibition.
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